COASTLINE JOURNAL

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Tag: American history

An Analysis of the Message of the Negro Spirituals…

…Within the Context of Jürgen Moltmann’s Theology of Hope

by Carolyn Matthews, Dominican University.

From the website: Sweet Chariot (click on image)

Presented at the 2010 Graduate Liberal Studies Symposium, Reed College, Portland Oregon, 26 June

Editor’s Note: this essay contains the lyrics to several spirituals, and a downloadable (.wav) recording of Ms. Matthews singing the spiritual.

The music had its origin on shores distant from the land where its people eventually came to dwell for generations. They were stripped physically and metaphorically of their native trappings. Those who survived what came to be called the “Middle Passage,” would have to build community among people from disparate tribes. Although the languages were different and the religious customs varied, it was the music and the inherent sense of community that would be reinforced and would help to keep the hope of freedom forever alive.

Work songs, sorrow songs, laments, moans and chants; the musical genre that has come to be known as the Negro Spiritual emanated from the folk song of the enslaved African. Once thought to be simple expressions of Christian faith from an illiterate people, objective scholarship over the years has come to understand the Spiritual as more than that. Although composed and formed on the shores of the New World, the music has definite African roots. Wyatt Tee Walker writes, “Wherever the Africans and their progeny touched New World shores, no matter what the condition of their existence, they maintained their musical identity.  The rhythm forms and musical idioms were kept alive through the desperate need of the Africans for humanness, which the slave system forcibly stripped from them” (Walker 48, 29). The American slave system was brutal, oppressive and dehumanizing. Although many freedoms were lost the enslaved African retained the freedom to think and thereby was able to develop a longing for freedom and liberation from bondage, providing the foundation from which they would hope for and look forward to a better day. This message, as communicated in selected Spirituals, is analyzed in the context of Jürgen Moltmann’s concept of hope. Read the rest of this entry »

Drinking This Champagne Water: Walks With Rousseau and Muir in Nature

by Michael JS Cox, Simon Fraser University

(An edited version of this essay appears in Confluence, vol. 15 no.2, spring 2010)

Download this essay as a pdf file: Drinking This Champagne Water

Thomas Hill, Great Canyon of the Sierras - Yosemite, 1871

These blessed mountains are so compactly filled with God’s beauty, no petty personal hope or experience has room to be. Drinking this champagne water is pure pleasure, so is breathing the living air, and every movement of limbs is pleasure…(John Muir, Nature Writings 228)

Sixty years separate Jean-Jacques Rousseau’s death (1778) from John Muir’s birth (1838). Muir is not considered a philosopher, and Rousseau is not considered an environmentalist, but each man had an abiding passion for the solace occasioned by long walks in nature, and saw in Nature[1] an expression of God. Each loved the mountains, whether hiking or appreciating them from a distance, and each shared a love of flowers, and of moving water, and each saw himself reflected in the cold, still waters of alpine lakes. This paper addresses the parallels between these men, and the divergences and convergences, which until now have not been sufficiently explored.

In those papers I have read on Muir, references to Rousseau are scant. Several works compare Henry David Thoreau with Rousseau, most of them examining their social philosophies,[2] but as Joseph Lane (2006) notes, “the lines of intellectual transmission from Rousseau to Thoreau and his successors…are, at best, indirect.”

Indirect, but not indistinct. If I were to list several founders of contemporary environmental philosophy—which I am aware would be contentious—there is good reason to include Jean-Jacques Rousseau.[3]

Read the rest of this entry »

Crane’s “An Experiment in Misery”: Living in Urban Decay

by Aaron D. Sommers, University of New Hampshire

pdf version: Crane

Stephen Crane

The short story An Experiment in Misery is not more than ten pages long, yet the author, Stephen Crane, manages to successfully concentrate the thoughts, feelings and physical environment of an impoverished existence he felt many were doomed to live through. The harrowing tale, published in 1893, is a story that mirrors much of Crane’s other works, taking place in a nondescript date. While An Experiment in Misery is one of his less known works, it is a prototypical tale of literary realism and a testament to his talent as an American writer. Read the rest of this entry »

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